Kristina Britan
- City: Izmail
- Career start: 2026
- Current VEAN artist
- Non-resident
- Consultation
- Sketch
- Master training
- Correction
- Cover up
- Tattoo
- Thrash Polka
- Linework
- Old School
- Tribal
- Sketch
- Black and White
- Minimalism
- Traditional
- Blackwork
- Greywash
- Botanical
- Watercolor
- Neo-Traditional
- Chicano
- Ornamental
- Polynesia
- Japanese
- Geometric
- Fineline
- Abstraction
- Biomechanics
- Microrealism
- Graphics
- Lettering
- New School
- Ethnic
I don’t see a tattoo as a finished image that simply needs to be transferred onto the skin. For me, every design is a starting point for working with shape, size, and placement on the body.
I enjoy finding a balance between the client’s idea and how the tattoo will actually look on their body. Sometimes details, proportions, or composition change during the process — and that’s what makes the result more personal.
I pay attention to every stage of the work, from the first discussion of the idea to the final details. I want the finished tattoo not only to look good right after the session, but also to remain a natural part of the person over time.